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The album finished with "I Need a Man", Jones' first club hit.

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She scored Top 40 entries on the UK Singles Chart with "Pull Up to the Bumper", "I've Seen That Face Before", "Private Life", and "Slave to the Rhythm".

In 1982, she released the music video collection A One Man Show, directed by Goude.

In the early 1980s she moved toward a new wave style that drew on reggae, funk, post-punk, and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie.

Her most popular albums include Warm Leatherette (1980), Nightclubbing (1981), and Slave to the Rhythm (1985).

The album featured three songs from Broadway musicals, "Send in the Clowns" by Stephen Sondheim from A Little Night Music, "What I Did for Love" from A Chorus Line and "Tomorrow" from Annie.

The second side of the album opens up with a seven-minute reinterpretation of Édith Piaf's "La Vie en rose" followed by three new recordings, two of which were co-written by Jones, "Sorry", and "That's the Trouble".." The Parisian fashion scene was receptive to Jones' unusual, androgynous, bold, dark-skinned appearance. Laurent, Claude Montana, and Kenzo Takada hired her for runway modelling, and she appeared on the covers of Elle, Vogue, and Stern working with Helmut Newton, Guy Bourdin, and Hans Feurer.Jones also modelled for Azzedine Alaia, and was frequently photographed promoting his line.We were beaten for any little act of dissent, and hit harder the worse the disobedience.It formed me as a person, my choices, men I have been attracted to...Jones was signed by Island Records, who put her in the studio with disco record producer, Tom Moulton.

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