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It was a mission statement challenging the norms of cinema and arguing that some of the key aspects of love are false in cinema. Did you have an agent at the time you took the role? Were they worried the movie would hurt your career? She thinks there’s a double standard for females to show their breasts in movies.

I didn’t consult them on it, because Gaspar Noe to me is one of the greatest living filmmakers. Before we started, I asked my mother and sister to promise not to see it.

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A couple of years ago, I had a very intense breakup. The night that we shot with Stella [Rocha], the transgender woman that Electra and I pick up, I kind of drew an invisible line.

I ended up flying to Paris to heal myself, and my friends brought me to this club one night where I met a girl at the door name Ambre who found out I was an actor. Often, we’d do a take, and I’d come up with something, which I thought was pretty clever. It felt like the scene in “Boogie Nights,” where he’s pumping himself up. I said, “I didn’t want to get invaded in a certain way.” Of course, that invited Gaspar to encourage Stella.

It tells the story of a group of people who take sexual pleasure from car crashes, a notable form of paraphilia.

The film generated considerable controversy upon its release and opened to mixed and highly divergent reactions from critics.

Although it only opened in the United States on Friday, “Love” has already changed the trajectory of newcomer Glusman’s career; he has been cast in Tom Ford’s “Nocturnal Animals” and Nicolas Winding Refn’s “The Neon Demon.” On a recent afternoon, Glusman spoke to about his risky performance. I just thought, “If I don’t do this, someone else will, and I will regret it forever.

If there was no script for “Love,” how did you get this part? You should run away.” I definitely had a moment when my heart sped up, and I thought, “This is a huge f—ing mistake.” Why didn’t you leave? I will be so jealous once the movie comes out that I didn’t have the balls to step up to the plate.” Did you set any limits?

While some praised the film for its daring premise and originality, others criticized its combination of graphic sexuality and violence.

It premiered at the Cannes Film Festival, where it won the Special Jury Prize, considered the third-most prestigious prize of the festival.

The movie not only features full frontal nudity — there are many close-up shots of genitalia — but oral sex, intercourse, ejaculation and a threesome scene with a transgender partner.

There’s a reason “Love” was called “The Most NSFW Movie of the Year” by The Daily Beast.

I didn’t want to lose the opportunity to work with him because of an agent’s fear that Disney isn’t going to hire me. I didn’t want to be thinking about them when I was shooting.

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