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The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first-person perspective.The film then shows clips from various television shows being channel surfed in fast motion.From there, it progresses to footage of various natural phenomena such as waves and clouds.

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Time-lapse photography of shadows of clouds are seen moving across the skyscrapers.

Shots of various housing projects in disrepair, and includes footage of the decay and demolition of the Pruitt-Igoe housing project in St. The sequence ends with footage of the destruction of large buildings.

A time-lapse shot of a crowd of people who appear to be waiting in a line.

This is followed by shots of people walking along streets in slow motion.

It's because, from my point of view, our language is in a state of vast humiliation.

It no longer describes the world in which we live." The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002).

The frenetic speed and pace of the cuts and background music do not slow as shots of modern leisure are shown. The sequence begins to come full circle as the manufacture of cars in an assembly line factory is shown.

More shots of highway traffic are shown, this time in daylight.

After aerial views of monumental rock formations partly drowned by the artificial Lake Powell, we see a large mining truck causing billows of black dust.

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